The London-based photographer discusses his artistic routines and background.
Interview by Marcella Martinelli
Bertie Watson developed his unique style through his lens and sought to redefine the narrative surrounding celebrity culture, capturing moments of vulnerability and authenticity often overshadowed by the allure of fame. His photographs serve as a testament offering a glimpse into the lives of those who inhabit the spotlight.
As a trained Opera Singer, do you have a favourite Opera and a favourite Opera Singer?
It’s got to be Tosca, with Jonas Kaufman playing Cavaradossi. I’ve been lucky enough to see him play this role at the Royal Opera House, and my mind was blown.
How did the transition from singing to being a photographer happen, and why?
I was at an event for Paul Smith and noticed a photographer shooting two actors I’d seen in a movie the night before, Anne Hathaway and Jim Sturgess. I had nothing to lose, so I introduced myself to him. His name was James Mason. I ended up working with him for a year, taking photographs at huge events such as the GQ Men of The Year Awards. He had a huge heart; I owe that man a lot. That was when one hell of an amazing journey started.
We’re all human, and even A-list celebrities have their insecurities. It’s always less challenging when your subjects know you’re on their side. Keep your walls down, and they’ll let you step into their world.
What is your favourite song? Pop or Rock? Or other?
It’s impossible to choose just one. I’d throw moves to Justin Timberlake’s “Summer Love,” languish in “Per me Giunto” by Verdi, and be transported to another world by Hans Zimmer’s “Now We Are Free.”
Do you have a favourite photographer? And a photograph that you love, yours or others?
Without a doubt, Austin Hargrave’s use of light and colours are jaw-dropping; they’re like on-set movie stills. I’m also a fan of Greg Williams. The way he can conjure so much spirit from his subjects and show you a glimpse into who they are is fascinating; I’d never get bored looking at photographs. My favourite photograph is the one I took of cinema legend Antonio Banderas coming at me like a Spanish bullfighter – he just oozes va va voom!
What is your favourite style of photography?
I like what I like when I see it, simple as that. That being said, I’ve been revisiting the art of wildlife photographer Nick Brandt. I’ve never seen photographs of animals out in the wild quite like this before, and they’re breathtaking.
My favourite photograph is the one I took of cinema legend Antonio Banderas coming at me like a Spanish bullfighter. He oozes va va voom!
Black and white or colour?
Black and white, it’s timeless.
Studio or location? Or both, and why?
Location. It keeps you on your toes and is where real magic can happen.
What is the most fun celebrity you have worked with so far?
Being taught the moonwalk and dancing to Michael Jackson with Lea Seydoux, she’s a gem.
Is there Someone you would not want to photograph and turn down if offered?
Hitler, but I don’t think he’d be asking for a photoshoot anytime soon!
How do you put someone at ease in front of the camera who might not want to be photographed but has to? Has it ever happened to you?
We’re all human, and even A-list celebrities have their insecurities. It’s always less challenging when your subjects know you’re on their side. Keep your walls down, and they’ll let you step into their world.
Where would you go and why if you could go back in time?
You’d find me in The Dingo Bar, Paris, circa 1930s, a cigar in one hand and whisky in the other.
What is the most significant recognition of your career so far?
Shooting Mark Ruffalo, Emma Stone, Willem Dafoe, and Ramy Youssef for Searchlight Pictures—a standard day at the office.
Your greatest extravagance?
A gorgeous 1949 gold Longines windup wristwatch.
You are at your happiest when?
The four F’s: when I’m surrounded by food, family, friends, and fun.
