Reece Clarke has been captivating audiences as a principal dancer with The Royal Ballet since 2013, and his remarkable journey in the world of dance is nothing short of inspiring.
When I met Reece, his charisma was undeniable—his resemblance to John F. Kennedy Jr., his effortless charm, and his unique ability to make everyone feel at ease, whether in the rehearsal studio or commanding the stage.
Yet beneath this magnetic presence lies a dancer deeply committed to his craft, constantly striving to reach new heights.
In this conversation, we dive into Reece’s deep passion for ballet, uncover how he tackles the challenges of an extraordinary career, and get a glimpse into the life of one of ballet’s most captivating stars.
You recently collaborated on a shoot for Millionair magazine, where your passion for fashion shines through. The blend of traditional ballet rehearsal attire with renowned fashion brands like Dior, Alexander McQueen, Burberry, and Louis Vuitton creates a striking visual narrative. Are you interested in collaborating with these brands for future shoots or campaigns? Do you see a connection between ballet and fashion?
I think it’s not only wonderful but vital that creatives and different art forms combine and continue to explore and push the boundaries. There are so many inspiring opportunities that I would love to explore – combining dance with fashion/music/artists/creatives; this is something I strive for and hope to achieve. This shoot for MillionAir Mag was an example of this, and it was both rewarding and inspiring to combine my love for dance with some exciting brands.
What do you enjoy wearing when you are not on stage? Do you lean more towards casual attire, or do you prefer suits, or perhaps a mix of both?
When I’m not on stage I always like to feel When I’m not on stage, I always like to feel comfortable in what I am wearing.
I often go for timeless classic pieces for day-to-day wear. Then, of course, if it’s an evening out or an industry party, my go-to is a good suit. I’ve been so lucky to have worn some incredible looks over the years, but I particularly enjoy wearing a Dior suit.
What are your favourite accessories, and do you have a preferred designer?
It’s hard to single out particular designers that I like. I love attending fashion shows and watching a specific designer’s vision and ideas unfold. It reminds me of one of my performances, and how there are weeks and months of preparation and hard work, and then, by the end, it all unfolds and is almost out of your control during the performance.
As one of four brothers who trained as ballet dancers, where did your love for ballet originate? How did it all begin, and what inspired you to pursue ballet as a career?
Growing up, my brothers and I were heavily involved in sports, participating in every team and activity available. Dance was just another after-school option my parents enrolled us in to help us burn off energy—I’ve heard having four boys was quite a challenge for them!
I remember playing a 90-minute football match before heading straight to dance class; that was my usual. This active lifestyle instilled in me a sense of competitiveness that persists today. Watching my older brothers perform on stage further ignited my passion for dance, and I have fond memories of trying to replicate their impressive jumps after each performance.
What is your favourite ballet to perform, and why?
TThe Royal Ballet has so many incredible ballets and roles that we are truly spoiled for choice. However, if I had to select one, I would choose the role of Des Grieux in Manon. This role offers a profound emotional and physical journey, taking you on a true rollercoaster of experiences.
What do you find most challenging about ballet?
Sometimes, the daily grind can be challenging… We have to be consistent with our training as dancers, and sometimes, if you are tired or not feeling great or whatever the excuse may be, continuously showing up and training day in and day out can be a challenge.
But most of the time, I love my daily routine of going to the theatre and doing my morning warm-up… It’s good for me physically and mentally to start my day.
Did you ever consider pursuing a career outside of ballet?
I would have been a sportsman if I hadn’t become a dancer. To this day, I still love sports, but I have to be careful which sports I play for my body. I also get a lot of inspiration from watching sports.
What rituals or routines do you follow to mentally and physically prepare yourself before a performance?
I don’t have many pre-performance rituals. When I arrive at the performance, I know the work is done. On the performance day, I’ll do my usual morning warm-up and spend the rest of the day catching up on email admin. I enjoy going out to get gelato before my performance during the day—a little distraction to feel human and not constantly think about the performance.
What strategies do you use to maintain your physical and mental health as a dancer? How do you stay calm, composed, and disciplined?
Having interests outside your profession is essential to avoid becoming all-consuming. I enjoy sports for motivation and inspiration, and my dog brings me peace and joy, helping me relax in my fast-paced career.
What has been the most memorable performance of your career and why?
One of my most memorable performances was ‘Manon’ at Teatro Alla Scala in Milan. It was my first time with the company and in their stunning theatre, performing alongside the etoile Nicoletta Manni and coached by Manuel Legris, which made the experience truly inspiring.
What is your character development process when performing in narrative ballets?
For character development, I’ll start by trying to find material and footage of the original creators of roles. From then on, I’ll work with my coaches and fellow dancers in the studio to find my interpretation of the role, and of course, I will stay close to the original material.
I also watch many movies and TV series in all different genres, which can help me develop a character idea. Over the years, I’ve learned not to try to mimic someone you are inspired by and admire but to be inspired. Then, find your way in each character; it will feel more natural and project this way.
Are there any upcoming projects or performances you are particularly excited about?
I’m excited to return to my home town in Scotland for a gala performance. It will be my first time performing as a professional dancer in Scotland, and it feels almost like a homecoming. My town was very supportive of my family and my journey in the dance world, and I continue to follow my career, so I’m so excited to have this performance, almost as a way of thanking them, too. We’ve also chosen to donate the ticket sales from the performance to the Dogs Trust Charity, which I’m delighted about.
Which ballet dancer has influenced your career most and why?
My brothers were my primary motivation as a student dancer. Watching their performances made me feel that passion and desire to do what they do and perform live on stage. Even though they are no longer performing, they come to watch my performances, and I can still confide in them about my career, which is a blessing… They are not shy about giving me tips and corrections, whether I ask for them or not!
What have been the most fulfilling moments of your professional career so far?
I’ve been lucky to travel to many countries in recent years. I feel this helps me grow not only as an artist but also as a person. I always try to absorb as much as possible from different cultures and countries, and I’ve met some fantastic people. I’m very grateful to be able to travel and perform on stages worldwide.
Are you your own worst critic?
I think I’ve always worked quite independently… Even in group settings, I always focus on being the best version of myself and don’t compare myself to others. Of course, I watch my friends and fellow dancers in the studios – it’s impossible not to, but I feel like I work like a lone wolf often and focus on my own personal journey. This usually means I am my own biggest critic, but I’m also able to switch off my work when I have to and not bring it home.
How do you balance your professional routine with your personal life?
A typical day starts with breakfast at home; then, I head to the theatre for a morning warm-up, rehearsals, and body maintenance, including gym and Pilates-based workouts. If I don’t have a performance, I usually finish my day around 4/5 pm at the theatre and head home to cook and spend time with my dog/family/friends. On my commute to and from work, I’m answering emails, reading or maybe doing some interview questions (like I am now on the Tokyo subway :)) But I like to distinguish my morning and afternoons at work where I am super focused and pushing myself, to evenings at home, where I like to have some ‘Reece time’.
What’s your greatest strength as a dancer?
To be a professional dancer, you must be resilient. So, maybe I would say this is one of my greatest strengths. It takes years of training and months of preparation for a single performance.
So, keeping the commitment and dedication to the art form daily is challenging.
What has been the most significant challenge you’ve encountered in your dance career?
The biggest challenge I have faced as a dancer would have to be the pandemic. Training at home, trying to keep my fitness levels high without access to the studio and not knowing when I might return to the stage was a physical and emotional challenge.
Can you share details about one of your most memorable performances?
One of my most recent performances was in Tokyo, where I debuted in a challenging role in La Bayadère. This is a role I’ve long aspired to do, so receiving the invitation from Tokyo was indeed a dream come true. The entire experience was remarkable—from arriving in Tokyo and meeting the company’s talented dancers to witnessing the production evolve from studio rehearsals to the final performance on stage. Unfortunately, I only had one chance to perform this role in Tokyo, but I hope to revisit it. Leading up to the performance, I spent considerable time preparing independently in London, which required a lot of self-motivation and discipline before joining the company.
What advice would you give to aspiring dancers?
For aspiring dancers, I would suggest that they be curious. Always be curious and ask questions. Of course, work hard and be dedicated, but also find inspiration from many sources, especially if you have other interests outside the ballet world. This can help make you a more well-rounded dancer and artist.
Do you have a favourite piece of music?
Lately, I’ve been listening to many soundtracks by Hans Zimmer. I love his music, and it’s always fun to shuffle one of his Spotify playlists, which can take you on a journey of emotions. I was also fortunate to have Hans conduct one of my performances – at the late Queen Elizabeth II Platinum Jubilee Party.
Favourite city and Country?
I recently had a great time in Milan. I’ve been a few times before my most recent trip, but on this particular trip, I had time to get a natural feel for the city and enjoyed my time there. But I have to say I do love being in my home country of Scotland and feeling close to my roots.
Which living person do you most admire?
I admire my brother a lot. His life has been far from straightforward, but he has always remained optimistic and has tackled all obstacles that have come his way. He is an inspiration to me.
You are at your happiest when?
I’m happiest when spending time with my dog and surrounded by nature. It brings me peace and balance.
What is your motto?
‘Why not?’
Photographer: Matt Hind
www.matthind.com
Fashion director: Marcella Martinelli @marcellastylist @arlingtonartist
Grooming: Ruth Warrior
With Thanks to The Royal Ballet.